Melodyne excels at the natural sounding pitch correction since it’s not automatically moving stuff. Autotune just excels at the effect style since it’s so streamlined. It can take you a few seconds to get that T-Pain sound using Autotune but tuning those vocals to sound natural will take significantly longer regardless if you’re using Melodyne or Autotune.Īgain, I must state that you can do both correction and effect style correction with either of these plugins. If you need pitch correction but absolutely loathe the sound of autotune, Melodyne is probably a better fit for you. If you are not an engineer and more of an intermediate vocalist or songwriter - Autotune might be more of your jam but as you get more into vocal production you might find that you too need them both. For engineers that do editing, you’ll likely need both Autotune and Melodyne to accommodate your client’s needs. That ultimately comes down to the genre(s) you work in as well as what you even do. How far you take the correction is really up to the artist. But in a genre like pop where vocals HAVE to be perfect - it's better to be safe and do two layers. It’s a pointless battle doing two layers of pitch correction in that genre unless there’s a soulful hook or a lot of singing beside the rapping as sometimes that can take a lot of the authenticity out of the record. For most hip-hop records, if you end up tuning the vocals, you’re probably going to use an auto-tuning pitch correction software like Antares Autotune or Slate Digital’s Metatune. Depending on the record, you might end up using one or the other, or even both. There are some cases where you might put an EQ before it to tame a particular note that’s a bit too resonant from hitting the pitch correction too hard - which might cause the bending effect referenced in the previous section - but this is less of a concern if you’re using Melodyne or if your end goal is that T-Pain sound. Both are ideally one of the first plugins on the chain since whichever route you go, you want to affect that signal. Pitch correction has two uses - to correct notes and to be used more as an effect. Even worse, it sometimes auto-bends notes really hard in those situations where you want it to sound natural - leaving your take with these weirdly bouncy consonants that are reminiscent of sliding noise makers. But for stripped-down recordings with vocals and much fewer musician elements, that sound can become very apparent and ruin the vibe of the record. For some uses, this is fine and may even add to the uniqueness of a take. Where this might be an issue is just how it processes notes.Īutotune almost wants to always impart some of that autotune sound onto whatever you’re correcting. The graph mode is a lot like the UI of Melodyne, but it’s still the same engine as Autotune. These can take your vocals a long way and in some cases uses for needing natural sounding pitch correction, it can fill that role with its graph mode. The latest iteration of Autotune, Autotune X, even has a listening feature for the track you’re tuning for the vocal style - such as tenor, bass, or soprano. The catch with this plugin is that you have to know the keys in a scale or at least modern theory to not make it such a guessing game.Īntares Autotune is much more user-friendly who’s its full suite includes other plugins like Autokey which can detect the key of the record and send that information over to the plugin. This allows you to pitch things in areas the vocalist might not have been able even to do while still having it remain sounding natural. While it can be time-consuming it’s hard to argue against the results since it’s not doing a whole lot of the correction automatically. Melodyne’s engine excels at natural-sounding pitch correction but requires the user to dig in and manually adjust these notes. If you wanted more of that T-Pain-esque sound, it might be better to use Antares Autotune. Typically, if you wanted your vocals to sound more natural without those robotic artifacts we so commonly associate with the sound of autotune, you’d choose something like Melodyne. If they do the same thing, why do a lot of producers and engineers use or have both?īoth Autotune and Melodyne are amazing at what they do, however, they excel at slightly different uses.
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